A Tale of Twin Queens of Hearts

I’ve been thinking about why we love the art we love. In some of my most formative encounters with creative work, like Lolita, trauma fueled the attraction; in others, such as butoh dance, I was lured by an exotic vibration that turned familiar with time. But for Twin Peaks and The Tale of Genji, two of the works that shaped and soldered me, both trauma and the tension between exotic and familiar fostered my love. And this contemporary television series/movie franchise and this 1000-year-old Japanese novel are both obsessed with doubles.

When I first read The Tale of Genji in college, a friend remarked on the theme of the double. Its protagonist, Genji, loses a forbidden love to taboo (she’s his stepmother) and religion (she takes the tonsure), so he grooms her very young niece to take her place. In the novel’s radical last third, the antihero Kaoru replaces Oigimi, a lover who dies, with her half-sister Ukifune. My friend observed, “Twin Peaks is the same story when it comes to Dale Cooper’s infatuation with Annie,” a young woman and love interest who resembles his dead beloved, Caroline.

Continue reading